Installation When things have all the reality they could have, I stop (2024) by Manshee Zheng. Cement-filled size 38 heels suspended by curtain pulls above a latex-wrapped bed. Material fetishism meets surreal staging. 220x110x140cm.
Close-up of When things have all the reality they could have, I stop (2024) by Manshee Zheng. Two cement-filled black leather heels hang above a found bed wrapped in translucent raw latex. Material tension, suspension, and fetish interplay.
Detail of bed from When things have all the reality they could have, I stop (2024). Found bed wrapped in raw latex sheets. The translucent skin-like surface clings tightly, evoking bodily presence, absence, and containment.
Close-up of suspended black leather boots filled with cement, from When things have all the reality they could have, I stop (2024). Hanging by curtain pulls above latex-wrapped bed, evoking tension, weight, and fragmented presence.
Detail of cement-filled black leather boot suspended above a latex-wrapped bed. From When things have all the reality they could have, I stop (2024), the work confronts weight, absence, and erotic remnants of institutional presence. 
It’s heavy. I’m not wearing heels anymore, 2024. Cement, size 38 leather heels, curtain pull, raw latex sheets, found bed, transparent fish strings. 220x110x140cm.